Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing. 阿(ā )軒意(yì )外穿越回到(💘)了(♉)5年(👲)前(🧙)仍(réng )在(zài )讀大(dà )學的(de )時期，正是他與(🛍)女(🏉)友(🍧)(yǒ(⛹)u ) Joyce第一次(cì )邂逅的日子。阿軒認為這(zhè(📕) )是(✔)上(🍗)天(😅)(tiān )給他的一次機會， 讓他阻(zǔ )止父親(🤽)(qīn )因(🍇)沉(🦂)迷賭博而鑄成大錯、並救回(huí )5年後(🚹)意外(🤢)受(🐓)傷昏迷的 Joyce，從(cóng )而改(gǎi )變(biàn )自(📽)己的命(🧕)運。然而(🔽)，命運(yùn )真的(de )可(kě )以改變嗎？(🐆)一切(🗨)又(💥)是(shì )否(🏈)可(kě )以如(rú )他所願？ Six individuals end up in a Hotel in the middle of nowhere with a very eccentric caretaker. They haven't arrived by accident. Age old, evil powers are within the hotel and behind the walls a deep dark secret hides. They have to survive the night but not everyone is whom they seem. “我的一(🎺)生(🧘)(shē(📣)ng )中(🔭)(zhōng )只害(hài )怕一(yī )件事，就是有一天，黑(🕠)(hē(💽)i )色(♑)会(🐗)(huì )吞没(méi )红色。” ユミは夫と娘の３人(🎷)暮(🤮)ら(🔯)し(🐳)。近々引っ越しを考えている。ユミは(🤬)娘(🦖)の(🖊)レ(🎙)イナが時(shí )折うわ言を発すること(🈯)が、(🐋)少(🤡)々気にかかっていた。転居(jū(🤕) )の報(bà(💣)o )告(gào )も(🙄)兼ねて友人ヒロミと久(jiǔ )々(🦌)に再(zà(🚇)i )会する(🐘)ユミ。話題はいつしか「あの(🦅)日(💖)」(⏲)の(❤)ことに。「私(sī )たちが埋めた時、本(😥)当(📁)に(🥐)死(🕊)(sǐ )んでたのかな？」。ユミは「あの(🗓)日(🥡)(rì(🏿) )」(🤤)のことを清算すべく、サエ、アコ(🦓)に(🥋)も(🦍)再(👂)会を決意し、廃墟のような家に一(📚)人で(🐠)住(👁)むサエに会(huì )いに行く。サエ(🌽)は、見(🍫)知(zhī )ら(🕟)ぬ少(shǎo )女が現れて娘だと言(😯)(yán )って(🗝)聞かず(🈂)、しばらく一緒に暮(mù )らし(🈳)て(🍃)い(🏟)た(🚣)が死んだこと、そして少(shǎo )女は死(🤮)ん(🛒)だ(🏡)ま(🥤)まその家の３階に寝かされている(🚓)と(🔈)い(🌕)う(🐃)ことを話(huà )し出す。(C)「黄泉がえる少(😦)(shǎ(🥩)o )女(🤖)」(🍆)製(zhì )作委員会 子どもに夢を与(yǔ )え(🍸)、想(🍆)(xiǎ(🍁)ng )像力をはぐくむコンテンツ(🌊)作りを(🗃)めざし(🏭)て、キャラクターアニメー(🤫)ション(⏫)を中心(🈸)にデジタル絵本やARといった(😸)ア(🤣)プ(🈁)リ(♓)などを通(tōng )して、エンタメから知(🏛)(zhī(😡) )育(🍹)ま(🤢)で幅(fú )広く活動しているスタジオ(🤒)な(🆕)な(👉)ほ(🍀)しが、ジャンルやメディアを問わ(🍩)ず(📶)、(🈯)も(⬆)のづくりを手掛(guà )けるウサギ王と(🤾)制作(❔)。ど(🗞)この家(jiā )にもある縁起物たちと、(🍝)彼らが(📇)動くさまを見た子どもたち(🤔)との交(⏹)流を、(🌈)躍動感いっぱいに描(miáo )いた(🚜)ドタ(🚪)バ(🍧)タコメディ！ Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.